Professional guitarists, acclaimed producers, and the experienced engineers and sound designers at Line 6® spent countless hours creating and dialing in every last guitar amp model—so you don’t have to. Whether you’re looking for a practice amp or a rig for gigging, Spider is like having your own personal amp tech ready to dial in your tone for you at a moments notice.
EDIT, STORE, AND SHARE
All via computer.
Edit presets, create backups, and email guitar tones to your friends with Spider IV Edit software—a free download that functions as editor/librarian for your Spider tones. Plus, you can access exclusive content with Spider Online. Take advantage of high-quality guitar tabs and lessons. Download unlimited Spider guitar tones from an ever-growing collection. And jam along to hundreds of inspiring grooves and drum loops.
Get ready to experience the distinct tonal nuances of some of the most celebrated American, British and European guitar amps. Choose from 16 amazing amp models—from a classic rockabilly sound inspired by the bite of a pint-sized Gretsch® 6156, to the beautiful high-end shimmer inspired by a Marshall® JCM-900, to a killer crunch inspired by an Orange® AD30. And that’s just the beginning.*
CLEAN RED
Inspired by* the tone of a Marshall® JCM-900, Clean Red is scooped and highly responsive to the player’s touch, Clean Red has a beautiful high-end shimmer for one of the best feeling clean tones we’ve ever made.
CLEAN GREEN
Inspired by* some aspects of a Hiwatt® Custom 100, Clean Green emulates the classic clean tones of the late 60s/early 70s. This model is full-bodied with a creamy mid-range and a tight low-end.
TWANG RED
Twang Red is inspired by* the sound of a 60s Fender® Blackface Twin Reverb® to produce a classic Nashville spank. Crank the Drive knob for some extra grit and growl!
TWANG GREEN
More aggressive than Twang Red, Twang Green has plenty of cut, punch and attitude inspired by* a 60s Fender® Blackface Deluxe Reverb®.
CLASS A RED
Brilliant, singing tones with an addictive chime made famous by generations of Brit-rockers, Class A Red is inspired by* a Vox® AC30 Top Boost.
CLASS A GREEN
Terrifically dynamic, Class A Green offers boutique-style feel inspired by* some of our favorite amps including the Divided by 13 9/15. Sweet tones on the edge of breaking up give way to seriously throaty Overdrive when the Drive knob is cranked.
BLUES RED
The vintage charm of Blues Red is inspired by* the classic tones of a ‘50s wide panel Fender® Deluxe Reverb®.
BLUES GREEN
Voiced with more attitude than Blues Red, Blues Green delivers a more forward mid-range for a classic rockabilly sound inspired by* the bite of a pint-sized Gretsch® 6156.
CRUNCH RED
A celebration of the tone used by numerous early metal bands, Crunch Red was inspired by* the signature crunch of a ‘68 Marshall® Plexi 50-Watt.
CRUNCH GREEN
Crunch Green provides a rounded off British-style distortion with a cool mid-honk and great cut. Inspired by* the killer crunch of an Orange® AD30.
HI GAIN RED
Hi Gain Red is inspired by* the infamous brown sound of a ‘68 Marshall® Plexi 100-Watt with a Variac and jumped input channels.
HI GAIN GREEN
A modern, scooped metal sound, Hi Gain Green is a refined distortion inspired by* the high-gain mayhem of a Diezel® Herbert.
METAL RED
A one-way ticket to tight and punchy high-gain heaven, Metal Red is inspired by* the high-gain tone of a Mesa/Boogie® Dual Rectifier®.
METAL GREEN
Metal Green delivers high-gain aggression with supreme versatility. Sweep the Mid knob to control the character of the distortion. (Set to minimum for fuzz pedal characteristics; set to noon for creamy, modern high-gain tones; set to max to conjure the Class A sound.)
INSANE RED
Dialed in for shredding, Insane Red combines the intensity and impact of Metal Red but it delivers more mid-range teeth for that bone-crushing grind. Inspired by* the tone of a Mesa/Boogie® Dual Rectifier® (red channel).
INSANE GREEN
As much input gain distortion as possible short of a complete meltdown! Insane Green delivers an obscene helping of distortion while still retaining tonal definition and character.
