Digital Console for Live and Studio with 40 Input Channels, 16 Midas PRO Microphone Preamplifiers and 25 Mix Buses
Designing A Future Classic
Our goal for M32R was to combine the best of classic British console designs with advanced modern technology to completely redefine what a rack mountable digital desktop mixing console can offer.
We began the industrial design process by drawing inspiration from a somewhat unexpected source – the luxury and high-performance car industry.
Why High-Performance Cars?
Simply because the design teams at Aston Martin*, Bentley*, Rolls Royce*, and other leading manufacturers are skilled at introducing innovative technological advancements while simultaneously maintaining the feel, essence, and intangible qualities of their cherished brands. And in essence, that’s the challenge we too faced when creating the M32R console. So in order to create a future-forward design that took the MIDAS legacy even further, we enlisted the help of Rajesh Kutty, a leading industrial designer known for his work with celebrated luxury auto manufacturers such as Bentley, etc.
Kutty started by examining the design elements that have made MIDAS consoles so highly sought after – from the straightforward, logical layout to the unparalleled usability and ergonomics. These are characteristics that live sound engineers around the world have come to rely on, and are key aspects of the MIDAS legacy.
With these design elements in mind, Kutty set forth to create a styling that would be modern, innovative, futuristic, and stunningly elegant.
Many different construction materials were tested. Countless design variations were explored. And in the end, a styling was chosen that represented the perfect marriage between aerodynamic artistry and uncompromising performance. The design is both ultramodern and distinctly classic at the same time.
The Landmark in Console History
A close look at M32R reveals that the styling is completely new in every sense of the word. Rajesh Kutty’s automotive-inspired design elements mesh perfectly with a recognisable MIDAS signature, setting the M32R apart from any other console. Its beautifully streamlined and elegant form factor completely revolutionises the experience of live mixing.
The MIDAS M32R construction is equally impressive, and is designed to off er you years of reliable performance while withstanding the demanding environment of live performance venues. M32R employs a predominantly space-frame construction, with parts of the sub-frame consisting of high-performance aluminium. Multiple alloys have been employed throughout to guarantee maximum component efficiency and an improved performance-to-weight ratio.
The M32R is an innovative, evolved design that brings together modern construction principles and high-tech materials into a styling destined to go down as a landmark in console history.
Industry-Leading 192 kHz Precision
The groundbreaking M32R console combines legendary Midas sound quality with advanced digital technology, future-proof floating point audio engine, extremely low-latency design and industry-leading 192 kHz ADC and DAC converters, creating a revolutionary mid-format live console. M32R features ultra-sleek styling, offering you a truly luxurious mixing experience. High-end construction materials include carbon fibre provide unparalleled durability and strength, plus substantially lower weight than comparable consoles.
The M32R utilises award-winning Midas PRO Series microphone preamplifiers and the custom-designed Midas PRO motorised faders that are rated for 1 million life cycles-three times more than other leading consoles.
The Midas M32R is a future-forward console that completely raises the bar for live mixing.
Legendary MIDAS Sound Quality
While the MIDAS M32R design, styling, and construction will surely turn a lot of heads, it’s the sound that matters most to engineers and performing artists. And that’s where M32R shines even brighter – as the latest in a long line of pristine-sounding MIDAS consoles, it descends from a celebrated lineage that literally set the standard in electrical design and sound quality. Ever since MIDAS consoles first found fame 40 years ago with acts like Billy Joel, Yes, The Beach Boys, Pink Floyd and others, the MIDAS legacy has always been about uncompromising quality and the ultimate in sound reproduction.
Backing the analogue input section are audiophile Cirrus Logic multi-channel 192 kHz capable A/D converters, which boast a 114 dB dynamic range, ensuring impressively low distortion and low noise performance.
Built for Tomorrow
The M32R is a console built for today, and tomorrow – its rock-solid proprietary operating system and the 0.8 ms audio engine provide outstanding state-of-the-art audio performance for years to come.
Award-Winning MIDAS Mic Preamplifier
The MIDAS mic preamp is considered by leading live sound and recording engineers to be the very essence of the famous MIDAS sound. More than 40 years of design experience paired with the finest choice of premium-grade components lead to the acclaimed warmth and depth, bring out subtle ambience, maintain spatial positioning, and more effectively capture a precise image. The acclaimed sound of the award-winning MIDAS microphone preamplifier has inspired generations of live sound engineers to their best work, creating sonic landscapes that have captivated audiences worldwide.
Creating Sonic Landscapes
The MIDAS preamplifier design eliminates typical imbalances of gain-setting stages, thereby improving the common-mode rejection ratio (CMRR) and harmonic distortion to an almost immeasurable level. The constant high-frequency bandwidth topology assures excellent stability, RF rejection and noise performance at all gain levels, contributing to its transparent, open and dynamic sound. But it doesn’t end there, over the years many mix engineers have found that this robust and overload-tolerant design takes on a whole new dimension of sound when driven hard, the pristine audiophile reproduction giving way to just the right combination of harmonics, a warm and organic sound heard by millions of concertgoers and recorded for posterity on countless live albums over the years.
Since pristine sound always begins with the microphone preamplifier, the first point where your signal enters the console, M32R features genuine MIDAS microphone preamplifiers, which faithfully reproduce every sonic detail so no part of a performance will ever be missed. Transparent and pristine sound, low noise and high common-mode rejection are all hallmarks of this classic design.
The microphone preamplifiers are the very same ones used in the industry standard MIDAS XL4 and HERITAGE 3000 consoles, which many consider to be the greatest analogue live consoles ever built. Over the past decade, the XL4 and HERITAGE 3000 have been utilised by countless top artists including Bon Jovi, Alanis Morrisette, AC/DC, Coldplay, Kid Rock, Metallica, Alicia Keys, Foo Fighters, Christina Aguilera, Sir Paul McCartney, Pearl Jam, and many more.
The M32R draws from this same legacy to bring you an elite professional level of audio quality and performance.
What Makes the M32R Possible is – Everything
Whether you come from an analogue mixing background, or are accustomed to using other digital consoles, your first experience with M32R has been engineered to be intuitive, fluid and straightforward.
The brilliance of the M32R is its simplicity and workflow. Tactile controls allow smooth adjustments to critical elements as the mix progresses while the TFT screen keeps you informed every step of the way. This integration of tactile controls, motorised faders and the array of LCD and TFT displays makes the M32R experience the premiere solution for Live Sound, Broadcast, Studio Recording and Post Production applications.
M32R changes the game by completely rethinking what is possible in a digital mixer. An intuitive workflow coupled with a fully interactive user interface ensures immediate familiarity and instills confidence. Advanced engineering and meticulous design deliver stellar sonic performance at an extremely affordable price – changing the game entirely.
Industry-Leading Technology for More than 40 years
MIDAS’ experience spans over 40 years at the very top end of the live audio industry on countless world tours by the greatest artists and the most prestigious events. 40 years of relentless research, development with 300 of the world’s best engineers plus complete control over the manufacturing process. This is what powers the M32R.
Above all, M32R is designed to put the power of digital in your hands, without compromise. MIDAS’ singular focus on a matchless value proposition means M32R integrates advanced features such as motorised faders, LCD scribble strips, integrated personal monitor mixing and true high-speed digital audio networking as standard features.
Your “Mind-to-Sound” Interface
M32R is your “mind-to-sound” interface – the intersection of creativity and production.
Whether you’re accustomed to digital mixers or not, the M32R’s intuitive user interface offers a fluid mixing experience that instantly feels like home.
From the first moments of use, the workflow unfolds in a way that strips away obstacles, distractions, and hesitation.
Channel Strip
The M32R Channel Strip puts the most important channel processing parameters into one section so that no matter which channel you are working on, the controls are always the same.
This highly-efficient layout stems from MIDAS decades of console design and input from our users. Optimized control illumination ensures a clear indication of levels or status from any viewing angle.
Illuminated rotary encoders and switches give you control of preamp settings, frequency shelving, dual dynamics sections, as well as multi-mode fully parametric EQ, bus sends, main, mono and stereo panning.
5" Main Display
M32R’s 5" day-viewable color TFT (Thin-Film Transistor) display shows the setting parameters you need when you need them.
Selected for its high-contrast performance and outdoor visibility, TFT is ideal for concert and open air festival venues. Flanked by high-precision, context-sensitive tactile encoders, the screen comes to life and immediately reports in high definition all adjustments applied to a wide range of parameters.
Intelligent design puts control of vital functions such as Effects, Metering, Routing and much more 1 or 2 button presses away.
Sends On Fader
M32R brings the convenience of digital mixing to your Aux and output bus mixes too, thanks to its integrated Sends on Fader feature. This incredible function allows you to build powerful, dedicated sub-mixes for monitor, secondary zone feeds, and much more – all without affecting the front of house mix or levels.
The M32R allows you to send your choice of signals to any Aux or output bus and then dial in the perfect mix via the channel faders.
The console remembers where you set the faders and instantly recalls them when you select a bus for quick adjustments.
DCA Groups
DCA (Digitally Controlled Amplifier) groups allow control over several signals at once without actually mixing them into a subgroup bus. M32R’s 8 DCA groups let you control multiple signals via a single fader, such as the entire drum mix, the horn section, or the backup vocalists, etc.
DCA control affects the FOH mix, while allowing the individual buses to remain unchanged. The result is a customizable workflow that provides maximum flexibility, but still allows individual buses and subgroups to serve the purpose they were intended for, such as zone sends, broadcast feeds, etc.
View Function
Across the M32R you’ll find 11 strategically placed View buttons associated with various functions. These buttons enable immediate access to information about that specific function.
For instance, if you press the View button in the Equaliser section, information for that channel’s EQ is instantly shown on the main display, providing in-depth editing of all related parameters.
This direct access to visual fine-tuning gives the engineer a level of control previously available only on consoles costing exponentially more.
“Acoustic Integration” - the Live Sound Revolution
Legendary 40-year old British company TURBOSOUND , famous for producing some of the world’s best speaker systems, have teamed up with MIDAS to seamlessly integrate mixer and speaker systems. We call it “Acoustic Integration”.
The M32R’s ULTRANET bus allows streaming up to 16 channels of pristine digital audio to an array of TURBOSOUND iQ speakers – all on a single CAT5 cable, along with control data to set sound presets remotely.
Furthermore, iQ Series loudspeakers feature “True Physical Modelling” of some of the most popular speakers, which can be easily remote controlled via the M32R, allowing the sound engineer to apply different speaker models in real time from the comfort of the mixing desk.
“Acoustic Integration” is the next live sound revolution.
100-Band RTA for all Channel/Bus Eqs
The M32R includes a 100-band Real Time Analyser (RTA) with full bar and spectrograph views on the M32-EDIT control application. This high-resolution RTA displays the audio energy distribution in100 frequency bands over time - capturing a sonogram window of a full 10 seconds.
You can switch between the large RTA view to display any available signal at full screen resolution,or the combined view, which displays the RTA view above each of the channel and bus EQ curves.
This feature lets you see the results of your filtering choices in the audio spectrum directly.Additionally, the RTA can be displayed on top of the 31-band graphic EQs in the FX rack.
Monitoring and controlling frequencies has never been easier!
16 Breathtaking FX “Plug-Ins” Based on True Physical Modeling
We’ve included 16 breathtaking FX “Plug-Ins” in the M32R, giving you access to a total of 50 effects that would otherwise cost tens of thousands of dollars in hardware.
This generation of high-end FX “Plug-Ins” is based on True Physical Modeling of classic audio hardware. We essentially “rebuilt” classic analogue gear in the digital domain and included models of legendary processors such as Urei’s 1176*, Teletronix LA-2A* and Fairchild 670* compressors as well as the legendary Pultec* EQP-1a and EQ5 equalisers etc. We also included a cutting-edge 5-band multiband compressor.
Gain Splitting and Remote Control for FOH and Monitoring
Gain Split mode separates channel gain (trim) from the head amp gain, allowing both the FOH and/ or the monitor engineer to adjust local trim digitally – and independently of the preamp gain.
Additionally, the HA Gain Remote option allows console gains to be remotely controlled by an external console, such as when using the M32R as a stage box.
Routing and Processing Flexibility
The M32R’s routing is extremely robust and flexible. Output signals and XLR outputs are now treated separately, allowing signals from AES50 sources or expansion cards to be routed directly to the M32R’s analogue outputs.
For example, you can use the outputs from an M32R for directly routing back PA or monitoring signals from a main or FOH console. Plus, output tap points can be set as pre- or post-mute for greater usability with your P16 personal monitoring mixers. This is very useful in situations where you don’t want mute groups to interrupt your signal flow.
Mighty Tools for Scene and Show Management
M32R’s Cue List provides an innovative way to automate the loading of scenes and “Snippets” at different points during a show. Each of the 500 Cue entries can load any of the 100 Scenes or Snippets separately or at the same time. This gives you an amazing total of 500 Cues x 100 Scenes x 100 Snippets!
For example, store your favorite EQ settings for drums on channels 1 - 8 as a Snippet, recallable in an instant as its own preset, completely independent of the console’s overall scene. It’s like taking a snapshot of a parameter on an input, return, FX slot, bus, Matrix, Main, or DCA group – and saving it for quick access whenever you need it.
The MIDAS PRO FADER – Rated for 1 Million Life Cycles
In our pursuit to lead the industry in every possible aspect, we decided to design the world’s most reliable motor fader. We dove deep into materials science, employing semi-precious metals that offered the durability we desired. We took painstaking care to design a motorised fader that would provide continuous performance night after night, year after year.
After spending a great deal of time working with metal vendors, we developed precision components that off er high linearity, robustness, and smooth feel during operation. We needed ultra-straight high-grade steel guide rods with smooth polished surfaces – and we got them. We worked closely with our manufacturing partners to maintain the tolerance of our parts, always choosing the most suitable materials and controlling the processes to ensure consistent moulding quality and eliminating the warping and deformation caused by shrinking as the parts cool.
True, none of this was easy - we spent many long hours developing the MIDAS PRO FADER design. However the results speak for themselves.
MIDAS PRO FADERS are rated for up to 1,000,000 cycles – three times that of other leading manufacturers.
LCD Scribble Strips
A total of 29 programmable LCD Scribble Strips off er channel/bus identification that mirrors what is being controlled.
Use them to enter input/output tags, plus add icons you recognize at-a-glance. Then assign colors to create visual groups for immediate, on-the-fly recognition of similar inputs.
Simple, elegant and effective – plus you’ll never need masking tape again.
Virtual Effects Racks
M32R includes an extensive array of onboard effects, rendering outboard processing racks a thing of the past. The Virtual FX rack features 8 true-stereo, studio-grade effects engines each assignable to any input, group or output mix bus. Choose from high-end FX modules including a range of reverbs, delays, EQs, dynamics and much more.
Each FX algorithm has been completely re-imagined for stunning performance – typically costing several times the price of the M32R.
Custom-designed, and physically modeled after some of the most iconic and sought-after processors, all effects run inside the low-latency environment of the M32R mix engine, ensuring flawless performance, flexible routing and the end of cable faults forever!
The immaculate tube signal path in Teletronix’ LA-2A Leveling Amplifier has left its exceptional clarity, its rich and warm compression on countless albums of the past decades.
The ultra-smooth optical attenuator is closely modeled in our LA COMPRESSOR. It provides breezing, natural and effortlessly musical compression. (Inspired by Teletronix LA-2A*)
When Urei released the 1176LN Limiting Amplifier in the late 60’s, it broke new ground. Field Effect Transistors employed were just invented and the 1176 was one of the first audio processors to benefit from this new technology.
Our digital re-incarnation, ULTIMO COMPRESSOR, is based on the early Rev. E model and authentically captures the smooth character of the original class-A output stage and its FET’s legendary fast Attack. (Inspired by Urei 1176LN*)
The Fairchild 670 tube compressor not only achieves record bids in high-end vintage gear auctions, it also delivers some of the finest colorations in compressor history. Two small trim VR’s preset the control side chain action, a six-step switch determines the timing, and the two large Input and Threshold knobs adjust the levels.
Our FAIR COMPRESSOR model is true to the original signal path, and conveniently provides models for dual, stereo-linked or M/S operation. (Inspired by Fairchild 670*)
The COMBINATOR is an amazing 5-band compressor that emulates famous broadcasting and mastering compressors.
A highly complex processor, the COMBINATOR utilises automatic parameter control that produces stunning and “inaudible” results. Makeup-gain for each frequency band will automatically be adjusted by the Spectral Balance Control (SBC) function, to maintain a balanced audio spectrum.
The XTEC EQ1 is undisputedly one of the best passive studio equalisers ever manufactured. Virtually indescribable, recording engineers claim the Pultec EQP-1a to be the “secret sauce” of sound enhancement.
We analysed this classic to the core and created an exact physical model that reproduces the multi-faceted sound in painstaking detail. Even the transformers and tube output stage have been faithfully modeled! (Inspired by Pultec EQP-1a*)
Pultec simply wrote the book on passive equalisation. By digitally “rebuilding” every aspect of the original Pultec classic, we captured the very essence in our parametric equaliser XTEC EQ5. Our digital re-incarnation is based on the original model and authentically emulates the smooth character of the its rather unique components. (Inspired by Pultec MEQ5*)
The new SUB OCTAVER provides two channels of earth-shattering sub-harmonics generation, one or even two octaves below the input signal. While originally designed for bass players, the eff ect can be adjusted for Hi, Mid and Low frequency tracking to apply to a wide range of applications. This is your secret weapon for beatboxing...
The EDISON EX1 is the re-incarnation of our own analogue classics. This remarkably-eff ective tool allows manipulation of the stereo fi eld. Selectable M/S input/output modes allow the processing or creation of M/S recorded sound sources.
The SOUND MAXIMIZER restores natural brilliance and clarity to any audio signal by adjusting the phase and amplitude integrity to reveal more of the natural texture of the sound, which is often hidden when using some effects and equalisers. (Inspired by Sonic Maximizer 482i*)
The DIMENSIONAL CHORUS is the perfect emulation of what has been referred to as “the best analogue Chorus unit ever created”. Four simple Mode preset buttons activate amazing eff ects, best described as “space” and “dimension”. Absolutely faithful to the original, multiple preset buttons can be pressed simultaneously. (Inspired by Roland Dimension D Chorus*)
MODULATION DELAY combines three of the most used time modulation effects into one easy-to-operate unit. Enjoy true-stereo delay with a lush and spacious chorus, topped off with three reverb models to choose from.
The Lexicon 480L* has been recognised as the gold standard of digital reverb. We have included three of the finest reverb models – Rich Plate, Room and Rich Chamber. The M32’s models precisely capture all nuances based on our “True Physical Modeling” and our algorithms even incorporate the unit’s AD/DA gain-stepping converters – nailing the entire analogue and digital circuit paths right down to the last detail. (Inspired by Lexicon 480L*)
EXCITERS increase presence and intelligibility in live sound applications and are indispensable for adding clarity, air and harmonic overtones in the recording studio. ENHANCERS let you emphasise the Bass, Midrange and Hi output at selectable frequencies.
You can generate maximum punch, clarity and detail, without turning up the overall volume. (Inspired by Aphex Aural Exciter* and SPL Vitalizer*)
Our TruEQ STEREO GEQ delivers musical and responsive signal processing-perfect for general room equalisation, indispensable for monitoring. M32 provides up to 16 mono graphic EQs, in addition to the multi-band parametric EQs in all channels and buses, to cope with the most demanding stage monitoring situation.
Plus, the M32’s motorised faders can be switched to control the filter bands of the graphic EQ, with the channel LCDs showing the corresponding filter frequencies-and you can even put this on a user defined hot-key for immediate access. (Modeled after KLARK TEKNIK DN360)
VINTAGE ROOM stands out head and shoulders over other competing reverberation strategies in the way it models sound propagation in air and room resonances. Invented in the early ’80s, the role model delivered authentic room character from an algorithmic reverb long before convolution-based processing was available.
It is an ideal reverb for mixes or sub-groups, as it adds space to complex signals, which is highly desirable in classical music and broadcasting environments. (Inspired by Quantec QRS*)
PLATE REVERB emulates the characteristics of a plate reverb chamber with control over the damping pad, modulation depth and speed, and crossover. PLATE REVERB will give your tracks the sound heard on countless hit records since the late 1950’s. (Inspired by Lexicon PCM70*)
The 3-TAP DELAY in the M32 records the input signal and then echoes it back after a user-definable period of time and number of repeats. What makes the stereo and triple delay useful and outstanding is the linked tap-timing and musical choice of echo patterns.
Use the 3-TAP DELAY to fatten up vocals and instruments, or to add an enhanced spatial element to any performance.
The HALL REVERB effect provides a broad spectrum of reverberation possibilities, from small room to large, or even cavernous proportions. When softly mixed with the original signal, Hall Reverb can be used to create a warm, more natural sound. (Inspired by Lexicon 480L*)
This handy dynamic FLANGER & DELAY duo blends the “whoosh” of soaring jet planes with classic Delay, and can be adjusted from mild to wild. This combination effect only takes up one FX slot. (Inspired by Lexicon PCM70*)
WAVE DESIGNER is a powerful tool for adjusting signal transients and dynamics such as attack and sustain. Use it to make a snare drum really “crack” in the mix or level out volume inconsistencies of slap bass tracks. (Inspired by SPL Transient Designer*)
The STEREO PRECISION LIMITER is perfect for setting a precise volume limits, ensuring distortion-free and optimal signal integrity. Use the Stereo Precision Limiter to boost quiet signals or reduce the level of “hot” signals to prevent clipping. (Inspired by Sony Oxford Dynamics*)
The DE-ESSER is a “must-have” tool for reducing the amount of sibilance in vocal mics while adeptly preserving the natural voice timbre of a performance. Use it to enhance the smoothness of the upper mid to high frequencies in vocals as well as drum overheads and strings, etc. (Inspired by SPL 1239*)
Based on the legendary EMT250, the VINTAGE REVERB delivers a shimmering, bright reverb that won’t overpower your live or recorded tracks. Use the VINTAGE REVERB to sweeten vocals and snare drums without sacrificing clarity. (Inspired by EMT250 Plate Reverb*)
Occupying only one FX slot, the CHORUS & CHAMBER effect combines the shimmer and doubling characteristics of a studio-grade Chorus with the sweet sound of a traditional Chamber reverb. (Inspired by Lexicon PCM70*)
You Are Connected
Each M32R comes loaded with all of the connectivity, I/O and functionality you need, right out of the box – but it doesn’t end there. Onboard USB 2.0 connectivity delivers a full 32 x 32 channels of audio and MIDI to your DAW. Integrated multi-channel digital audio interfaces connect to remote stage boxes and/or the P16 Personal Monitor System. Native Ethernet control enables remote operation by computer, iPad or iPhone over a wired or wireless network, across the room – or across the planet!
Dual AES50 network ports featuring KLARK TEKNIK SuperMAC technology support up to 96 inputs and 96 outputs over shielded (STP) CAT5 cable, allowing remote stage boxes and sharing signals among several connected M32Rs and other MIDAS, KLARK TEKNIK TEKNIK and AES50-equipped products.
On-board ULTRANET provides a 16-channel digital mix direct to P16 Personal Monitor Mixers, without added hardware, cost or latency.
Ethernet, USB and MIDI are all standard features on M32R.
An additional expansion slot is also included, so that the M32R can connect to current and future digital audio networks and link protocols via a wide range of expansion cards including USB, ADAT*, MADI and Audinate Dante*.
Brand | Midas |
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