Townsend Sphere L22

Townsend Sphere L22

sE Electronics X1 S Large-diaphragm Condenser Microphone

sE Electronics X1 S Large-diaphragm Condenser Microphone

SE Electronics Z5600a II

SE Electronics Z5600a II

Townsend Sphere L22

EGP 102,310.00
Precision Microphone Modeling System
Availability:
Out of stock
SKU
L22
Townsend Inc.

The Sphere L22™ microphone system from Townsend Labs models the characteristics of the most sought-after large-diaphragm condenser microphones with amazing accuracy and allows selection of different mics and patterns even after tracking.

The Sphere® system consists of a high precision dual-channel microphone, which when paired with the included Sphere plug-in (UAD, AAX DSP, AAX Native, VST, AU) accurately models the response of a wide range of mics, including transient response, harmonics, proximity effect and three-dimensional polar response.

Now You Can:

  • Record with the sound of microphones many have only dreamt about
  • Change mic type, polar pattern, and other microphone characteristics, even after tracking!
  • Audition the sound of different microphones without tiring the vocalist
  • Reduce bleed, undesirable room coloration, and other common issues using Off-Axis Correction™
  • Record in stereo from a single microphone

Breakthrough Microphone Modeling Technology

Sphere’s three-dimensional approach captures the spatial nuances, proximity effect and off-axis frequency response of a wide range of microphones, which until now was not possible with any other product.

Dream Collection

Access some of the most prized microphones of all time,
including a 47 (with VF14 tube), a 67, an M49, and a C12.

Sphere L22 Microphone

The Sphere system employs the high-resolution, dual-channel L22 large-diaphragm condenser microphone, custom designed to capture the three-dimensional soundfield with exacting detail. Manufactured to extremely tight tolerances, the L22 ensures that modeling is consistent and accurate.

Realtime UAD and AAX DSP Processing

With Universal Audio Apollo, achieve extremely low latency (approx. 1.6ms round trip at 96kHz) for guaranteed real-time performance. The AAX DSP format allows for guaranteed low-latency performance on Avid HDX systems. UAD and AAX DSP plug-in formats are included at no additional cost. Sphere also supports native AAX, VST and AU.

Polar Pattern Modeling

Because Sphere captures the three-dimensional response of target microphones, it precisely emulates the polar patterns and other off-axis characteristics of vintage microphones which are essential to their unique sound.

Re-Mic Sphere Tracks

Select mic type, polar pattern and other settings both before and after tracking.

Adjustable Proximity Effect

No need to move a microphone solely because of too little or too much bass due to proximity effect. Great for punching in a vocal where distance from the mic varies from take to take.

Dual Mic Models

Dual Mode in the Sphere plug-in makes possible phase-coherent mixing of multiple virtual mic models from the same physical microphone, before or after tracking. It's also possible to adjust the relative phase alignment of the two mics with the Align control.

Record In Stereo (With One Mic)

With just one Sphere L22 mic it’s possible to make coincident stereo recordings, and even have different mic models on the left and right channels, using the Sphere 180 plug-in.

Axis Shift

Virtually rotate the axis of the mic to give a more off-axis sound before or after tracking.

Off-Axis Correction™

Create more accurate polar patterns to reduce bleed, room coloration, and susceptibility of feedback before or after tracking. For more information see the Off-Axis Correction chapter in the Sphere Hardware and Software User Guide.

Polar Meter

The Sphere plug-in features a visually informative (and very cool) Polar Meter that dynamically displays the direction and level of sound being picked up by the microphone, as well as the currently selected polar pattern.

High SPL Handling

The L22 can handle in excess of 140dB SPL before clipping and is remarkably rugged. It won’t be damaged by high SPLs or air blasts as some vintage microphones can be.

More Information
BrandTownsend Inc.
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